A seductive or flirtatious glance, a come-on. This cliché represents one of the few surviving uses of the adverb hither, for “to this place” or “here,” which was commonplace in Shakespeare’s day (“Come hither, come hither, come hither” is in the song “Under the Greenwood Tree,” As You Like It, 2.5). The cliché dates from the first half of the 1900s and was frequently applied to film stars in romantic movies, in an era when a blunter sexual approach was frowned on.

Here and there; from here to there. The terms, which today have a somewhat archaic or poetic ring, include words that are rarely used outside these expressions: hither, for here; thither, for there; and yon, for yonder. Edward Fitzgerald’s translation of Omar Khayyam describes destiny (fate) playing a game of chess with human beings: “Hither and thither moves, and mates, and slays” (1859). W. Somerset Maugham used the second expression with a similar meaning: “The wan characters of Chekhov’s stories drifted hither and yon at the breath of circumstances.” (Christmas Holiday, 1939).